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French fashion

Historic Long Island mansion lists $ 12.5 million – Robb Report

Looking to get rid of New York City? Maybe now is the perfect time to pull the trigger and get away from the metropolis, as a house in one of Long Island’s most expensive neighborhoods has just been marketed for 12.5 million. of dollars.

The approximately 11,000 square foot mansion was originally built in 1928 by architect Benjamin Wistar Morris of the LaFarge & Morris company. Morris has designed many homes in the New York City area, and his resume also includes notable structures such as the Wells Fargo Building in Portland (where he was born), which was the city’s first skyscraper. This particular Long Island house was built for Fremont C. Peck, who at the time was the editor of The Brooklyn Daily Times newspaper.

The living room

Courtesy of Douglas Elliman

The residence is located in Old Brookville, a small village in the large town of Oyster Bay. It spans approximately 12.5 acres, and the exterior amenities include a three-car garage, saltwater pool and pool house, tennis court, and three-bedroom guesthouse. Essentially, you’ll have everything you need to enjoy New York summers right in your own backyard.

Long Island House

The dining room

Courtesy of Douglas Elliman

In total, the property has eight beds, eight bathrooms, and four half baths. It was built in a French chateau style – ideal for those fed up with more sleek and contemporary architectures – and has a games room, wine cellar, and gym.

Long Island House

The entrance

Courtesy of Douglas Elliman

According to Dirt, the residence is owned by Remy Trafelet and his wife, Lady Melissa Jane Percy Trafelet, fashion designer and former professional tennis player. His title comes from his father, the 12th Duke of Northumberland. She grew up in Alnwick Castle, where scenes from the Harry Potter films were filmed.

Long Island House

The kitchen

Courtesy of Douglas Elliman

Remy Trafelet reportedly paid $ 15 million for the Long Island home in 2005. The reduced price the mansion is now carrying will appeal to Manhattan residents who want a second, more secluded mansion with additional garden space for outdoor entertaining. If this sounds like you, you better take this historic offer now while it’s still on the market.

Check out more photos from the list below:

Long Island House

The game room

Courtesy of Douglas Elliman

Long Island House

The swimming pool

Courtesy of Douglas Elliman

Long Island House

The living room

Courtesy of Douglas Elliman


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Fashion brand

Launch of “Fashion Brand with a Conscience” to raise funds for terminally ill children and honor owner’s late father

A LOCAL fashion designer has launched a new brand with a mission to raise funds for terminally ill and critically ill children.

In 2016, Golborne’s Jon Clarke received the devastating news that his father had terminal cancer and only had 10 months to live. While attending Christie Hospital in Manchester for one of his appointments, Jon and his father mistakenly ended up in the children’s ward, prompting Jon’s promise to do something to help. children suffering from this terrible disease.

A fashion lover, Jon wanted to do something that could provide a long-term financial donation to the hospital, where the idea for 2Gees Clothing was born – described as a fashion brand with a conscience.

Getting to work on the design and logistics of his start-up, Jon partnered with Rays of Sunshine Children’s Charity to dedicate a percentage of each sale to the charity.

2Gees clothing (Photo: Facebook 2Gees)

This income will help the charity continue its work of granting wishes and providing hospital services to children with life-threatening or life-limiting illnesses in the UK.

Jon said: “I initially created 2Gees in 2016 shortly after my father passed away and the launch went very well. I was very happy to be able to send regular donations to the charity, but after a while I realized that I had not managed my grief and was diagnosed with health anxiety.

“2Gees was put on hold, but after a few years of hiatus, I decided now is the time to relaunch the brand and keep my promise to my dad. ”

The clothing brand is relaunching with only a men’s line at the moment, but a women’s line will follow in the new year.

Leigh Journal: A percentage of 2Gee's sales will go to Rays of Sunshine Children's Charity (Photo: 2Gees Facebook) A percentage of 2Gee’s sales will go to Rays of Sunshine Children’s Charity (Photo: 2Gees Facebook)

Jon added, “I wanted to create a fashion brand with a conscience, but it was important that the clothes were of high quality and be a brand that people wanted to wear.

“With each purchase made, a percentage will be donated to Rays Of Sunshine Children’s Charity, [and we] will be able to inform our clients about the fantastic work this charity is doing for children and families going through something that no child should ever have to suffer ”.

To learn more about 2Gee’s, visit their Facebook page here


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Fashion style

How to consume fashion ethically

By Emma Ingenohl – Contributor from 1851

As my last semester of school draws to a close, I’ve been thinking a lot. I realized that two things have remained constant for me over the past few years: my passions for the fashion world and planet Earth.

Protecting the Earth is so important to me, and combining that with my love of fashion is what I hope to someday do. Spreading knowledge about how to consume fashion ethically is a big use of my privilege and my voice to help change the narrative around the industry. I can’t think of a better way to end my stay at the Chronicle of 1851 than a final style corner on how to ethically consume and source clothing.

Vintage and second-hand clothes are a big part of my personal style, not only for the sake of durability, but also because it means finding unique pieces that help me organize my wardrobe and make it unique. Over the years, I have heard countless times from other people wanting to start shopping for second-hand clothes, but don’t know where to start. If you’re looking for some tips on how to get your fashion pieces more ethically, I’m finally going to share all of my secrets.

Savings – Seen most often as intimidating, saving is probably the easiest and cheapest way to shop. Stores like Goodwill, Savers, Salvation Army, Value Village, etc. exist everywhere and generally offer low prices and some great finds. My biggest tip when it comes to stocking up at a thrift store is to have patience and watch as much as possible. The best way to find good parts is to look at every item on the rack. As tedious as it may sound, it will eventually pay off when you find this amazing coin.

Buy Vintage Online – There are many websites / apps that are a resale format where individuals can buy and sell used goods and sometimes new goods. The most popular for vintage fashion are Depop, Poshmark, eBay, The RealReal, Etsy, and Mecari. Whether you’re looking for a specific brand or a general search for vintage pantsuits, there are plenty of great finds on any resale website. Patience is once again a key player in this type of sourcing. Sometimes you can scroll through dozens of pages before you find the perfect piece.

Sustainable brands – There are many clothing brands that produce their clothing ethically and sustainably. Patagonia, Girlfriend Collective, Parade, MaisonCléo, and Prada Re-Nylon are some of my personal favorites. There are also many brands that reuse and rework clothes like Frankie Collective. It’s probably the most expensive way to ethically source fashion pieces, but for those who can afford it, it’s a much better alternative to shopping from fast fashion companies.

Basic and Investment Parts – When shopping for new clothing, it’s important to consider usage and value over time. Basic parts can be worn over and over again, and items that are an investment but will last a lifetime are sometimes worth buying new. The quality and longevity of wear are other good indicators of whether these purchases are worth it or not.

Making an effort to find clothes more ethically is a huge accomplishment, and that doesn’t mean you have to be perfect and never buy fast fashion clothes or new fashion pieces. Accessibility is a huge factor in the ability to source clothing in a sustainable manner. The key to buying clothes ethically is to avoid overconsumption. The main problem with the fashion industry is the constant need to keep up with current trends and buy more clothes. By taking small initiatives to consume your fashion ethically, you are contributing to a more sustainable industry and world.


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Fashion designer

How the House of Gucci costume designer dressed Lady Gaga without a rehearsal

“House Of Gucci”, Ridley Scott’s lyrical drama about the assassination of fashion heir Maurizio Gucci (Adam Driver) by his ex-wife Patrizia Reggiani (Lady Gaga), weaves a rich tapestry of real events and manufactured.

But there are no shortcuts when it comes to designing costumes for a movie about Italy’s most famous fashion family.

Long-time Scott collaborator Janty yates was given the staggering responsibility of recreating three decades of fashion, as well as the personal style evolutions of the main characters. “You must have had a huge arc because it was 1975 to 1995 and my God, what a time,” she explained in an interview with TheWrap. “It’s amazing how different each year was from the next.”

For Yates and his team, it wasn’t just about calling the luxury brand and borrowing from the safe. They were selected from a number of sources, such as archives, vintage stores, and Lady Gaga’s closet (which Yates calls “LG”). “She had a house just for Versaces,” Yates joked.

Not to mention the small army of tailors, cutters, fitters and textile artists who designed more than 100 looks, or roughly 70 percent of the film’s total costumes, including three catwalks and a replica of Reggiani’s wedding dress.

Yates, who won an Oscar for his work on “Gladiator” (2000), did it all without recycling a single look. “If you rehearse, you don’t feel like time is running out,” she explained.

lady-gaga-house-of-gucci

The seasoned costume designer is already working on her next project, the Napoleon epic “Kitbag” with Joaquin Phoenix and directed by Scott. She found time in her busy schedule to talk to TheWrap about her collaboration with Lady Gaga, her favorite looks (“I quite like them all, they’re like kids to me”) and the story behind. this scarf scene.

How did you get involved in the project?

I got the script and did a lot of research because I was in Rome, I got all my Roman family together. They were gagging to do it. I went to the Gucci museum [in Florence], did a lot of research there because they have costumes that go back to the early days. They had loads of pictures of their workshops and bag making, shoe making, store staff, famous people going to stores. Then I left and did “The Last Duel”. So I always had it in my back pocket.

How has COVID affected the costumes? Has it changed or hindered your process?

During the lockdown, I was contacted by MGM, and they basically said, ‘Would you mind doing research and development? And I went, ‘Oh, I would love to.’ I could do it from my front room. ‘”Then we turned around after the lockdown to shoot the rest of“ The Last Duel. ” I went more or less straight to prep after that and didn’t look back. We do now [a film about] Napoleon, [“Kitbag”].

GUCCI'S HOUSE

Were you able to lend pieces from the Gucci archives?

[Lady Gaga] wears a double G tunic and pants with a mink on top when [Patrizia] go to 42nd Street and find all the [counterfeit Gucci products]. In the other, she attends her daughter’s school sports day and wears a double G silk blouse with a tie-neck collar and brown leather skirt.

Fabio Lovino / Metro-Goldwyn-Mayer Pictures Inc.

The only [Gucci items] that we bought endlessly seemed to be ties, belts and accessories. They had a lot of handbags in the archive which was great because we could practically choose what [Gaga] wore [on] every occasion. I would say my cutter [Dominic Young] and his team made probably 65, 70 percent [of the costumes]. Then there was 20 percent vintage, because there are some wonderful costume houses in Rome that had huge archive rooms from the 60s, 70s and 80s Yves Saint Laurent, Dior, you name it. A couple [costumes] comes from LG’s personal archives, which are huge. She had a house just for Versaces.

Patrizia’s wardrobe changes as she moves from being an accountant for her father to working her way through the Gucci family. Can you tell us about the evolution of her look during the film?

You had to have a huge arc because it was from 1975 to 1995 and my God, what a time. It’s amazing how different each year was from the next. The dress and the jacket [Patrizia Reggiani] wore at Aldo’s birthday party at Lake Como, it was a huge nod to Gina Lollobrigida, but it also made her look pretty innocent. So we start with her in little cashmere twin sets and stuff like that, trying to seduce Maurizio. She becomes very modest and very contemptuous in her clothes. And then we just gradually tried to increase it a bit.

LG would still like to do the earrings, bags, and bracelets, which I’ve never done with an actor before. Obviously there were a lot of scenes – she had 54 different days [of shooting] – and she didn’t repeat anything once, not even an earring.

This is a collage of split images of some of Lady Gaga's past fashion moments from left to right: her meat dress, her 2019 Met Gala outfit and her dazzled shoulder pads during her Super Bowl performance. 2017

There was even a bow for Adam [Driver]the clothes of. Obviously, Maurizio was dressed in Savile Row. My tailor made 40 outfits for him. Towards the end, I was trying to get her to wear velvet suits, that kind of rich look, a little more laid back.

Where did you find the inspiration for Patrizia’s engagement ring? Did you want it to look a lot like the real ring?

Metro-Goldwyn-Mayer Pictures Inc.

Yeah apparently [Patrizia] here again. Not his alliance, because it was just a band. The engagement ring [came from] my stock, pretty funny, and it was so close to Patrizia’s real engagement ring. I had two, that’s what you always need with jewelry in a movie. She is always [saying] “I am also Gucci. “

How did you want to reflect the personality of Gucci men through their suits and other outfits?

jared-leto-house-of-gucci
Metro-Goldwyn-Mayer Pictures Inc.

If you go online you will see that Paolo Gucci was the most appallingly dressed man of all time. A photo I have with a huge velvet bow tie. So I wanted to make it pretty tasteless, but also tailor-made. And we were so lucky. We have the Atollini brothers, who are the tailors of the leaders and presidents of the countries. They go to Scotland, they pick their cashmere and they have it woven in their tweed, all their costumes are sewn by hand. They made the costumes for “La Grande Beauté”, which to me was one of the best custom movies of all time.

They said: “We do [Paolo] the dandy is the dandy. So we had the loudest window checks, and the big three-piece orange suit that [he wears when] he confronts [Patrizia] and Maurizio outside the church. It was a shame we didn’t have more screen time with him, because we had made a dozen outfits: sports jackets, pants, chunky striped shirts.

Aldo [Gucci] was a very handsome man, very elegant and very tall. You had to try to give this impression with Al Pacino, with beautiful fabrics. Ridley drew this gorgeous photo of himself with a Panama hat, tiny little sunglasses, a cane – not a “dandy dandy” as they say in Italy, but just a dandy.

GUCCI'S HOUSE

After being snubbed by his uncle Rodolfo, Paolo pees on a scarf that looks a lot like the Flora scarf, custom designed by the real Rodolfo Gucci. Was the scarf used in the film a replica?

This floral print [scarf] was a real [Flora scarf]. But it wasn’t real pee. There were all kinds of different versions of this script. [In one version] it’s on Rodolfo’s (Jeremy Irons) neck – and [Paolo] pulls it out and throws it into the fire. Then suddenly we weren’t going to have a fire. And then he’s going to pee on it. But yes it was a real one [Gucci scarf] – we managed to find two or three designed by Rodolfo. If you look at Princess Grace [of Monaco], or if you look at Jackie O, you’ll often see that they’ll have one of these scarves tied around their necks.

How did the costumes play into the actors’ methods? Did you collaborate with specific actors to create the look of their characters?

GUCCI'S HOUSE
Metro-Goldwyn-Mayer Pictures Inc.

I think every actor – and they’ll probably deny it – but I think a lot of times they get their character right when they do a wardrobe shoot. I did four two hours [Zoom sessions] with LG before arriving in Italy. It was from there that she really created her character and she continued to develop her character as she went on fittings in Rome.

with Adam [Driver], I had three months of “The Last Duel” to discuss [“House of Gucci” costumes] with him. He claims he’s not interested in clothes, but he likes to look good. He had about 46 appearances in the movie that I didn’t want to repeat. If you rehearse, you won’t feel like the clock is ticking.

With Al [Pacino], he was very concerned about his general appearance. He was always trying things left, right and center.

Jared [and I] zoomed in. From day one, what could be more worrying [was] build his weight, because he’s thin and has all that long hair. So we were mostly working on clothes that we bought from a rental company and trying to make a big t-shirt, basically, but to make it comfortable.

“House of Gucci” presents three fashion shows: Versace ’84, Tom Ford’s Gucci ’95 and a fictional show by Paolo Gucci. What was your approach to recreate them?

I gave to my associate designer [Stefano De Nardis] the job of doing all the shows. And I said just do six, seven looks because Ridley is never going to shoot all of that. Well, he did it all. He did everything from scratch: the turquoise blue velvet suits, the yellow velvet suits, he made the Versace [show] from start to finish… and he created the Paulo Gucci show. In addition, he found more or less [lookalikes], especially in the Tom Ford [show], real models so iconic.

Do you have any favorite costumes from the movie?

GUCCI'S HOUSE
Fabio Lovino / Metro-Goldwyn-Mayer Pictures Inc.

I have always loved the bridal look because I thought the framed veil [Lady Gaga’s] face so beautifully. They made a facsimile of the real dress which [Patrizia Reggiani] was photographed at her wedding. My cutter, Dominic Young, and I created this dress where all the lace was applied by hand. It was just such a work of art. I loved the turquoise sequin [dress] – it’s not in the movie, it’s in the trailers. I love the red satin dress she seduces Maurizio in on another night out. And then there’s a cute beaded neckline, but you only see it at her waist. I like them all rather, they are like children to me.

You have already spoken about your childhood aspirations to become a fashion designer. Did the costume design for this particular film create a sense of a loop?

I think I was about 11 years old [and] I was just making my own clothes. However, I have always wanted to work in fashion and in fact no, the circle has not come full circle because I made my wish come true by becoming a costume designer, not a fashion designer. I had never had such a wonderful experience as making my first short half-hour film. It was so exciting and dynamic. I was like, “I never want to do anything else.

“House of Gucci” now only plays in theaters.

GUCCI'S HOUSE


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French fashion

Lucas Bravo embraces “Emily in Paris” skeptics

Gen X had Carrie and Big. Gen Z has Emily and Gabriel. Just ask Lucas Bravo, a lawyer Sex and the city fan who also directs Emilie in Paris as US holder very French love interest. “Of course, it’s more modern because it’s 20 years later,” said the 33-year-old from Nice about Emilie, now in its second season and who, as SATC, was created by Darren Star. “But it was a little difficult because it could have been easy to be hated.” Fans of Netflix’s surprise hit certainly don’t think that way about Bravo, unless they have something against bilingual chefs with perfect bone structure. Casting agents don’t get him back either for a succession of projects that put the actor in front of everyone from Julia Roberts to Borat Oscar nominee Maria Bakalova.

Shirt by Budd London. Photographed at the Hotel du Louvre, Paris.

PHOTOGRAPH BY NICK RILEY BENTHAM.

HIS FATHER’S PROFESSIONAL Football career has often uprooted Bravo’s family, moving them to a new town on the French Riviera or Italy every two years. Bravo, the “emotional” of four siblings, saw the acting class as “the first time I felt comfortable. It was an emergency at first, then it became a passion.

AFTER A BRIEF A stint in law school, a chance visit to Los Angeles rekindled his on-screen ambitions. Previous restaurant experience also helped him mark the role of Gabriel, a talented chef. Her culinary stuntman has a lot of waiting, says Bravo; he likes to show his own knife skills when he can.

Sweater by Brunello Cucinelli; briefs by CDLP; socks by Pantherella; necklace by David Yurman; bracelet by Saint Laurent by Anthony Vaccarello.

PHOTOGRAPH BY NICK RILEY BENTHAM.

SPEAKING OF Gender and city, Bravo admits he’s a Samantha. “I mean, Kim Cattrall…. You go on the set, you undress and you make it funny! She went 200%! “

HE UNDERSTANDS Emilie skeptics, especially those who are true Parisians. “I think that’s the charm of the French: they’re never happy with anything. But ultimately, he is empowered by people who tell him that the show transported them to France despite the pandemic.


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Fashion brand

International Day of Persons with Disabilities: Australian adaptive fashion company EveryHuman launches inclusive footwear range

In a world where style makes statements as much as it is a essential daily, SydneyRetailer EveryHuman ensures that all fashion enthusiasts can experience the best that brands have to offer.

For the 4.4 million Australians who living with a disability, the best that brands have to offer is often a disappointment. Shopping for clothes can be a frustrating experience – one that 20-year-old Paralympian Tim Hodge knows intimately.

“Very few manufacturers in the world offer shoes that you can get in different sizes for different feet,” Tim told 9Honey.

READ MORE: Reading problems were the first sign that something was wrong

Tim Hodge often needs two different sized shoes, which is hard to find without buying two pairs. (Provided / EveryHuman)

At the age of four, Tim lost his right foot. Now he has a prosthesis, and sometimes needs two shoes of the same style but different sizes, which can be difficult to acquire without having to jump for two pairs.

“Getting two shoes of different sizes can be very difficult,” he says.

“For example, if my prosthetic foot has changed in size to my [left] foot, then things can be very difficult [like] getting shoes, making sure they fit well, and not having to buy two different pairs of shoes. “

Sydney entrepreneur Matt Skerritt saw this unmet need and decided to address it.

READ MORE: Sydney mum who lost three children in pregnancy accident again

Every human, unpaired
EveryHuman has launched Unpaired, which allows customers to purchase single shoes or different sized pairs of the same style. (Provided / EveryHuman)

Having worked closely with his family in their various senior care facilities over the years, it was not unusual for Matt to welcome a client into the facility whose difficulty in dressing necessitated his move. .

Whether it was hard buttons on a shirt or the ability to fasten a hoodie or pair of boots with one hand, traditional fashion houses did not tailor their clothes for the sake of inclusiveness. .

Until now.

By working with brands that have embraced adaptive fashion – an industry expected to be worth US $ 400 billion (roughly $ 559 billion) by 2026 – by making subtle adjustments to their clothing, such as replacing buttons with magnetic closures, EveryHuman provides a catalog of clothing, shoes, accessories and lifestyle products that are as functional as they are stylish.

READ MORE: How to make an economical Christmas wreath cheese board

EveryHuman, Matt Skerritt
Matt Skerritt founded adaptive fashion company EveryHuman two years ago when he was 26. (Provided / EveryHuman)

In the run-up to International Day of Persons with Disabilities on December 3 – which also coincides with the second anniversary of the launch of EveryHuman – the retailer has released its Unpaired range, which allows customers to buy either a shoe or a boot, or shoes of the same style but in different sizes. And for customers who have a self-managed or plan-managed NDIS plan, EveryHuman’s inventory can be funded from the customer’s technical support budget at low cost.

For Matt, who started EveryHuman with a small team at the age of 26, it’s as simple as this: “People should have the ability to find shoes that they can wear that look good too. cool. “

Yet the simplicity of the logic does not mean that it is insignificant. As the goal of International Day of Persons with Disabilities, expression through adaptive fashion challenges perceptions surrounding disability.

“We want to facilitate more choice where there was none before, make disability fun, cool and sexy, and change the way people think about disability,” Matt told 9Honey.

READ MORE: 23 Summer Party Dresses You Absolutely Deserve – From $ 29

EveryHuman, unpaired, Tim Hodge
For Tim, initiatives like Unpaired and adaptive fashion becoming more mainstream reflect a broader shift in attitude towards disability. (Provided / EveryHuman)

For Tim, adaptive fashion retailers like EveryHuman reflect a larger Australia that is becoming increasingly inclusive.

The three-time medalist Paralympian fell in love with swimming after competing in his first school carnival at the age of nine, and now he juggles studying electrical engineering as he prepares for the Commonwealth Games and World Championships. world next year, and ultimately its third Paralympic Games.

He remembers, however, the differences in his early swimming days which suggest a wider divide between athletes with and without a disability.

Since Tim was swimming in multi-class series, which didn’t have as many athletes, he often won four first place ribbons in his four races. Although this would then place him in contention for the swimmer of the competition, he would not be eligible to win as he could only swim in multiple classes, which has only four races.

Over the years, however, Tim has noticed a shift in broader attitudes towards disability due to initiatives like EveryHuman’s Unpaired line and movements like International Day of Persons with Disabilities becoming more mainstream, as well as a change in attitude surrounding the Paralympics themselves.

“I think today it’s much more equal between the two [people without disability] and Paralympic sport, ”says Tim.

“It is definitely [been] worked hard both in the media and in organizations like Swimming Australia to put Paralympic sport and Olympic sport on an equal footing. “

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Under $ 50: Wardrobe Basics You’ll Wear Forever


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Fashion style

Bonobos Enjoys Up To 70% Off Hundreds Of Winter Essentials

Courtesy

Cyber ​​Week is officially over. The Black Friday and Cyber ​​Monday landing pages on almost every online retailer have a message saying so. All of those site-wide discounts are gone. TEAR. If you’ve followed our almost constant tips and reminders, you’ve probably stocked up on some of the coolest deals on tech, home, giveaways, and of course, fits. Alas, some people are not so up to speed, pushing and pushing what needs to be done now for later. And you could very well be one of those people, a procrastinator.

I understand you; in some cases, usually around tax season or when it comes to sending out invoices, I adjust to that invoice. Missing a deadline so carelessly is absolutely the worst, but I don’t want you to dwell on the discounts you overlooked. Because we stumbled upon the final sale section of Bonobos, and it’s a doozy. My friends, don’t push this deal aside, especially since markdowns are up 70%. Most Cyber ​​Week deals only hit 50 percent.

From chinos and corduroy jackets to sweaters and jeans, the site is filled to the brim with a bevy of goodies at prices that seem almost unfathomable. Namely, there are nifty button down shirts for under $ 30 and merino wool sweaters for under $ 40. And all of them are top quality and come in a range of sizes and colors. This, however, will not last long, especially at these discounts. So if you feel like you’ve missed Cyber ​​Week and want to break the habit of procrastinating, check out the styles below and copy them. Like now.

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Lightweight Stretch Chinos

The everyday stretch shirt

Lightweight stretch jeans

Riviera Short Sleeve Shirt

Washable round-neck merino wool sweater

Italian Performance Suit Trousers

Double-breasted stretch corduroy blazer

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Fashion designer

Top 5 Most Expensive Fashion Designers in USA

In today’s era, the economy of the whole world is overwhelmed by the projects of houses of different style. American modders have their different methods and ways of presenting their ideas to the public. Some fashion designers are landing out of pocket for a lot of people and even big brands. The total value and expense of these designers runs into the millions and has been in the market for a long time.

Here are some of the most expensive fashion designers in the United States:

  1. TOM FORD
    Tom Ford has received overwhelming responses since entering the industry. He is known for his unique style of a mix of both nice and fashionable clothes. His creations are suitable for all age groups and are loved by all. He led the industry and also gained popularity when he entered the industry. His most expensive items are diamond moccasins ($ 2 million) and a tuxedo ($ 5,540).

  2. MARC JACOBS
    Marc Jacobs has been in the industry since the late 1980s and has been very popular ever since. He’s popularly known for his regular style, a mix of grunge, preppy, and couture, all in one mashup. He’s been at the top of his game since joining the company and is doing well too. His designs are very popular and worn by many celebrities. Her most expensive products are the Carolyn Crocodile handbag ($ 38,000) and the Puffy Clouds embroidery dress ($ 28,000).

  3. RALPH LAUREN
    Ralph Lauren started his global team in 1968 with a high-quality menswear line. Her image has grown from the incorporation of feminine style, aromas, home furnishings and also just about anything else you can imagine. He has a unique, new and personalized style, also entirely American, which is achieved with his branded polo shirt that speaks for Ralph Lauren. His brand offers a variety of luxury lines, among which the most expensive products are: Purple Label Crocodile Duffel Bag ($ 25,000) and Purple Label Gregory Handmade Tailcoat Tuxedo ($ 9,995).

  4. MICHAEL KORS
    Michael Kors is one of the best fashion designers in the world, known for his planning style as well as the usual things. He is a self-proclaimed fashion designer who is well known in the industry and also very popular. Kors trusts a form that should go beyond typical cases and designs. Her work is seamless and effortless, which can be accomplished while wearing her dress and other outfits. Simplicity is implicit in his creations, whether they are sportswear or accessories. Her most expensive products are Julie Nile Crocodile Large Bag ($ 13,000) and Miranda Crocodile Large Tote ($ 8,000).

  5. CALVIN KLEIN
    Calvin Klein is known to be an organizer who holds the title of “American King of Clothing”. He started his career in the mid-1970s and has dominated the market since entering the industry. His original ideas were jeans and the business sector which are now extended to cosmetics, perfumes, menswear, womenswear, bed and bath linen. He has his unique style ideas and his designs are loved by everyone around the world. Its most expensive product is the slaughterhouse raincoat ($ 6,940).

Follow the latest news live on CEOWORLD magazine and get updates from the US and around the world. The opinions expressed are those of the author and are not necessarily those of CEOWORLD magazine. Follow CEOWORLD magazine on Twitter and
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French fashion

Texan style expert reflects on Virgil Abloh’s legacy – “Symbol of a movement”

AUSTIN (KXAN) – To sum up, Virgil Abloh’s influence on the luxury fashion industry would be next to impossible, said Michelle Washington, an Austin-based television style expert. But through his pioneering work as a leading black designer in the luxury menswear world, Washington said he has left an indelible mark on the field and emerging artists.

“He made black people dream,” she said. “He opened this door to dream again. And that was for a marginalized part of the community, where opportunities may or may not have been available. But here Virgil was a breaker of glass ceilings.

Abloh was an American fashion designer known for his work as the artistic director of the Louis Vuitton menswear collection and as the founder and CEO of the Off-White fashion house. He died Sunday, at the age of 41, from a 2019 diagnosis of angiosarcoma, a form of cancer.

Abloh made history as the first black designer to take over the artistic direction of a French luxury fashion house, Washington said. Her designs have helped modernize luxury menswear, taking it into the 21st century and beyond, she added.

“He was the symbol of a movement,” she said. “He was the fashion of what we recognize as a designer of modern men’s clothing – practically a trailblazer in all of this, in the only period of his career.”

She credited the “visionary color” and artistry that her designs brought to the Parisian catwalks, and for reinventing designs that could succeed and perform at the luxury level.

Prior to his career in luxury fashion, Abloh obtained degrees in civil engineering and architecture. These elements of his personal history, Washington said, have played into the identity of his designs and his artistic sense of detail.

“He came from a different aspect of building and creating and then he turned to the fashion industry,” she said. “He could see things that others could not see due to his different experience and perspective in the creative realm.”

For emerging creatives and black designers, Washington said his work left a monumental impact and rewrote the possibilities of what could be achieved. Combining her designs and artistic vision with her historic accomplishments as a black designer in luxury fashion, she said the legacy of her work will be felt for generations to come.

“Her mark on the luxury fashion industry will not be erased,” she said. “It will be something that people will mark until the end of time, because of what he could dream and achieve.”


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Fashion brand

This fashion brand creates a futuristic creative hub in its new boutique in Ossington

When you think of the fashion of the future, a lot of metallic hues and structured shapes can come to mind. But clothing brand U3’s new boutique in Ossington suggests that the future of fashion is genderless, sustainable, diverse and collaborative.

These may all sound like buzzwords, but U3 made it clear that they do more than just talk. The brand started out as a consignment on Queen, but the move to the Ossington area was deliberate. “This is more suited to our facility compared to Queen West, where it’s still a bit more commercial compared to a smaller community neighborhood type of vibe,” says Terri Zhang, one of U3’s co-directors.

The idea for their new location at 129 Ossington Ave., which launched in March of this year, was to create a more collaborative establishment. Thus, Mirari x U3 was born.

The lime green storefront stands out among a sea of ​​beige tones across the street, and the interior is equally eye-catching.

“We were thinking about what we can do with the space other than just a clothing store,” says Zhang. “How do you do more for an art collective so that people can actually come in and come together, instead of just coming to spend money? “

The store is divided into three spaces, each a separate “room” with a distinct purpose. Room 1 houses U3 clothing; Room 2 is an outdoor patio, with an opening garage and bar serving alcoholic or non-alcoholic drinks depending on the time of day. Room 3 is an old kitchen that the brand has transformed into a showroom for art and other exhibitions.

Zhang says the art and collaboration side (Mirari) and the fashion side (U3) are hosted in the same location for now, but future plans could see Mirari branch out into her own art center, separate from the clothing brand. .

The different axes, from art to fashion, are all linked by a futuristic angle. “Fashion is, in general, very futuristic; we imagine what people would be wearing in 20, 30 or even 50 years, ”says Zhang.

This includes a nanochip hanging earring and a blazer with 3D flower appliques, yes, but it also includes an emphasis on sustainable, non-sexist fashion, with an emphasis on BIPOC and other items. queer artists.

“All items are unisex. If you go to the clothing section, there is no men’s or women’s section, ”they say. “You don’t have to go to a specific section to find a part that’s right for you.”

Zhang says it was a no-brainer to make sure all the artists they work with are BIPOC and queer. “We the owners are BIPOC and / or gay ourselves, so we wanted to use our platform to raise voices that weren’t heard enough in the fashion world and the art world in the world. broad sense “, they say.

U3 also makes it a point of honor to collaborate with local brands that they love and that offer recycled and handmade items. “We’re also doing something called the U3 remake; we recreate some of the pieces of these brands in collaboration with the artists, ”explains Zhang.

They explain that the new showcase is constantly finding new uses for the space, such as a sweatshop and a live performance event a week ago. “We still have the clothing and fashion element, and we’re adding more events and potentially artist networking events soon, to add more flavor to the art collective,” said Zhang.

Mirari x U3 is open every day from 1 p.m. to 7 p.m. to 8 p.m.



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